Barnoldswick Music & Arts Centre kindly requests that conversations be kept to a minimum during performances.
This is out of respect for the musicians and your fellow guests.
McCullough’s Monday Night Live Presents
MONDAY 02 MARCH 2020
UP CLOSE AND PERSONAL
COME EARLY TO GET A SEAT!
In 2011 Carrie attended a Gordon Giltrap concert only to be invited to step in as support act when the opening act backed out. Encouraged enormously by Gordon, she played and sang a short set of cover versions, and even accompanied him at one point.
From this, and with Gordon’s support, she began building her reputation and gained a lot of confidence playing at the Bayfolk folk club in Robin Hood’s Bay, on the Yorkshire coast – a place very close to her heart.
She quite soon put out her first release, a seven-track EP entitled Luna, which gathered some favourable attention. When she sent a copy to Gordon, he responded with amazement at the quality of her song writing, saying that he had no idea she was such a strong writer as well as performer.
It was at this point that he really stepped in to become her chief mentor and an extremely close friend, and she puts a great deal of the success she has had down to his friendship and unflagging support.
Three years later, in 2014, she finally put out her first full album ‘proper’, entitled “What If”, on which she was joined as guest musicians by not only Gordon but also – through him – Oliver Wakeman (son of Rick) and Ric Sanders from Fairport Convention. The album was very much a solo affair, with only the occasional guest appearances accompanying her own playing, but it was enough to cement her growing reputation.
Carrie was also picking up attention from her endorsement connections with Vintage / JHS guitars, her instrument of choice for some years and a source of constant support. She has also become the proud owner of a beautiful Fylde guitar, crafted by the great guitar-maker Roger Bucknall.
After a couple of years playing this material live, and gradually amassing more songs to her repertoire as she went along, the time was right to record what is unquestionably her definitive statement to date, the Seductive Sky album, released in 2017.
This time the sound was much richer, with a full band treatment on several of its dozen tracks, and drums and bass provided by the album’s producer Mikey Scott. Once again there were guest players, but this time a greater cast; as well as some local musicians, the album features not only Gordon and Oliver again, but a couple of new, and significant, names.
Firstly, there is electric guitar on one track courtesy of respected American session player Elliott Randall, who can be heard providing the unmistakable guitar solos on Steely Dan’s Reelin’ In the Years and, less predictably, Irene Cara’s theme from the movie Fame.
In addition, there is some violin provided by Daniel Karl Cassidy, the younger brother of legendary singer, the late Eva Cassidy. In fact, Eva was a hero and inspiration to Carrie, influencing her own material, and yet she did not come to realise the identity of Daniel until he had already agreed to play on the album, so that was something of a major coup from her own point of view.
The album demonstrates a quantum leap in terms of the subtlety and craftsmanship of her song writing, both musically and lyrically, and the reviews have been almost universally positive.
With plans afoot to put on shows with a full band performing the music from the album, the next step on Carrie Martin’s remarkable journey from ‘housewife with a musical tale to tell’ to a genuinely respected name in the world of acoustic-based folk-rock music is well underway. And that is truly something to which she could only have been saying What If… not too many years before.
It’s pretty obvious from the moment you hear Carrie Martin sing that she is an outstanding vocalist with passion in each breath. Don’t be too side-tracked by that voice and stage persona and well-crafted songs, because you might just miss the fact that she is a fine guitar player as well!
‘There is a touch of Kate Bush in the higher range of Martin’s voice and in her inflection. However, this is accompanied by a rich mezzo undertone that gives real depth to her singing and the emotion in which she infuses it – a perfect foil for the mature and thoughtful words’